![]() For this project I have dragged both the Highlights and Shadows slider to to achieve maximum detail from both exposures. Many HDR workflows use more than two exposures but the two captured for this project provide good shadow and highlight detail without the need for additional files the advantage of shooting Raw. ![]() Step 2 The files used in this tutorial have been optimized from the original Raw files to enhance the shadow and highlight detail. This also goes for fast-moving clouds and anything else that is likely to be zooming around in the fraction of a second between the first and second exposures. If there is a gale blowing or even a moderate gust you are not going to get the leaves on the trees to align perfectly in post-production. The only other movement to be aware of is something beyond your control. One or two stops either side of the meter-indicated exposure should cover most high-contrast situations. Take two exposures - one overexposing from the auto reading and the other underexposing from the auto reading. To make the post-production easier we need to take a little care in the pre-production, i. ![]() Landscape photographers, however, have drawn the short straw when it comes to solving the contrast problem. Wedding photographers will deal with the problem of contrast by using fill flash to lower the subject contrast commercial photographers diffuse their own light source or use additional fill lighting and check for missing detail using the Histogram. You may be able to see the detail in those dark shadows and bright highlights when the sun is shining - but can your image sensor? Contrast is a sneak thief that steals away the detail in the highlights or shadows sometimes both. Download any Adobe product for a free 30 day trial.
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